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Who We Are and What We Do

Prestigious sound that will stand the test of time!

Guitar Playing

Your music should sound like YOU! We will work closely with you so that we can help you define your sound, however if you’re not sure quite what that is yet, no problem. With 15 years mixing experience we are well equipped to make judgements that will help your music fit into its commercial niche. When working with us, you will be offered the opportunity to guide the process, with as much or as little input as you would like.


My experience as a mastering engineer has given me the opportunity to work with a vast selection of music spanning from Classical to Rock, which I use to feed my creative process and draw ideas from when mixing.

Having multiple studios available, not only enables me to offer services at varying rates, but also gives me full confidence in the sound of my productions. 

Fair Pricing, Happy Clients

Concert Crowd

We have found that charging a fixed fee for production services can be more beneficial to one party, so, we charge for time spent. If your recordings are good and your act well rehearsed, your project will inevitably take less time. However if you need some editing, take comping and tuning it’s no problem either. We will assess your project, discuss with you, your desired outcome and provide a guideline quote BEFORE starting any work.

Our 100% client satisfaction rate is testament to our ability to help! We’re also happy to take your budget into consideration, having access to a number of studios means that we can tailor the project (within reason) to what you have to spend.

What’s The Difference Between Me and You?

Live Recording

We are part of a DIY generation where the tools are cheap and the knowledge is free, if you know where to look. But there are a multitude of fundamental differences between doing-it-yourself and hiring a professional.

I started like so many, composing music in a bedroom. But my strive to be something more than a ‘bedroom producer’ led me on an incredible educational journey. After 8 years of self taught production, I studied music at university for 4 years, earning a first class degree in Audio and Music Production, an AMS Neve award for excellence and two student of the year awards whilst also working alongside Simon Heyworth at Super Audio Mastering. In that time I have earned credits on UMG (Universal Music Group) and Sony, worked for independent labels, artists, bands and producers on some really incredible projects. This experience has equipped me with a wealth of knowledge and contacts that is unique to me. Granted my experience and skill set is not suited for everyone, but it may just be perfect for you! With so many people offering these services from their bedroom, it's hard to know who to trust. I’m happy to do short pieces of demo work under the right circumstances, to show you the difference professional services can make and to nullify any remaining doubts.

So, what are you waiting for?

Previous Projects and Works

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I've been involved in so many amazing projects at Super Audio Mastering and indeed here at TruPeak, here are just a few:

  • Imogen Heap - Harry Potter and the Cursed Child [album release]  (Sony)

  • Rita Ora - You & I [Masters for TV] (BMG) 

  • Alison Moyet

  • Yes - Mirror to the Sky (Stereo and Dolby Atmos)

  • Rick Wakeman - The Red Planet

  • John Matthias & Jay Auborn - Broadmead OST

  • Royal Philharmonic Orchestra - Boxsets and Chill - (Universal Music Group)

  • Gong - The Virgin Years 1973-75 (Universal Music Group)

  • Yutaka Yamada  - Golden Kamuy OST

  • Afrocelt Sound System - Flight

  • Storm Gordon - The Lie I Love the Best

  • Jana - Lanterns

  • Maiko Horisawa - Kalanchoe

  • Tourists - Align (Modern Sky)

  • Haunt the Woods - Circle

  • Tamasene - Hangin' in or Hangin' Out

  • Luke Slott - Gate of Heaven

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